Brilliant, practical, and humorous conversations with one of the twentieth-century’s greatest musicologists on art, culture, and the physical pain of playing a difficult passage until one attains its rewards. Throughout his life, Charles Rosen combined formidable intelligence with immense skill as a concert pianist. He began studying at Juilliard at age seven and went on to inspire a generation of scholars to combine history, aesthetics, and score analysis in what became known as “new musicology.” The Joy of Playing, the Joy of Thinking presents a master class for music lovers. In interviews originally conducted and published in French, Rosen’s friend Catherine Temerson asks carefully crafted questions to elicit his insights on the evolution of music—not to mention painting, theater, science, and modernism. Rosen touches on the usefulness of aesthetic reflection, the pleasure of overcoming stage fright, and the drama of conquering a technically difficult passage. He tells vivid stories about composers from Chopin and Wagner to Stravinsky and Elliott Carter. In Temerson’s questions and Rosen’s responses arise conundrums both practical and metaphysical. Is it possible to understand a work without analyzing it? Does music exist if it isn’t played? Throughout, Rosen returns to the theme of sensuality, arguing that if one does not possess a physical craving to play an instrument, then one should choose another pursuit. Rosen takes readers to the heart of the musical matter. “Music is a way of instructing the soul, making it more sensitive,” he says, “but it is useful only insofar as it is pleasurable. This pleasure is manifest to anyone who experiences music as an inexorable need of body and mind.”

"Origins," by the world-renowned writer Amin Maalouf, is a sprawling, hemisphere-spanning intergenerational saga. Set during the last quarter of the nineteenth century and the first quarter of the twentieth, in the mountains of Lebanon and in Havana, Cuba, origins recounts the family history of the generation of Maalouf's paternal grandfather, Boutros Maalouf: Why did Boutros, a poet and educator in Lebanon, travel across the globe to rescue his younger brother, Gebrayel, who had settled in Havana?
Maalouf is an energetic and amiable narrator, illuminating the more obscure corners of late Ottoman nationalism, the psychology of Lebanese sectarianism, and the dynamics of family quarrels. He moves with great agility across time and space, and across genres of writing. But he never loses track of his story's central thread: his quest to lift the shadow of legend from his family's past.
"Origins" is at once a gripping family chronicle and a timely consideration of Lebanese culture and politics.

In MARIE ANTOINETTE, Evelyn Lever draws on a variety of resources, including diaries, letters, and firsthand accounts, to write this sumptuous, addictive delight. From family life in Vienna to the choke of the guillotine, this gripping work combines a fast-paced historical narrative with all the elements of scandalous fiction: Marie's wedding at Versailles to Louis XVI, the French court, boredom, hypocrisy, loneliness, allies, enemies, scandal, intrigue, sex, peasant riots, the fall of the Bastille, mob rule in Paris, imprisonment, and, finally, execution.
From primary source documents Lever fashions an insightful glimpse into the French court at Versailles. The characters of court are expertly drawn. There is the dashing Axel Fersen, Marie's great love; Maria Theresa, the scheming mother trying to place her daughter on the Hapsburg throne; the legendary Madame du Barry, lover to Louis XV; and, of course, Marie herself.
Luxuriously evocative of the Versailles court, historically sharp and witty, and detailing the compelling story of Marie Antoinette's life, Evelyn Lever's biography entrances readers.

In this graceful, incisive book, writer-philosopher Andre Comte-Sponville reexamines the classical virtues to help us understand "what we should do, who we should be, and how we should live." In the process, he gives us an entirely new perspective on the value, relevance, and charm of the Western ethical tradition. Drawing on thinkers from Aristotle to Simone Weil, by way of Aquinas, Kant, Rilke, Nietzsche, Spinoza, and Rawls, among others, Comte-Sponville elaborates on the qualities that constitute the essence and excellence of humankind. Starting with politeness-almost a virtue-and ending with love-which transcends all morality-"A Small Treatise" takes us on a tour of the eighteen essential virtues: fidelity, prudence, temperance, courage, justice, generosity, compassion, mercy, gratitude, humility, simplicity, tolerance, purity, gentleness, good faith, and even, surprisingly, humor.
Sophisticated, lucid, and full of wit, this modestly titled yet immensely important work provides an indispensable guide to finding what is right and good in everyday life.

Here is the definitive story of one of the most celebrated filmmakers of our time, an intensely private individual who cultivated the public image of a man consumed by his craft. But as this absorbing biography shows, Truffaut's personal story from which he drew extensively to create the characters and plots of his films is itself an extraordinary human drama.

A sumptuous new biography of one of the most famous dangerous liaisons When Jeanne Antoinette Poisson was a child, a fortune-teller predicted that she would one day be the mistress of a king. Born into the financial bourgeoisie that was a world apart from the royal court, the beautiful Jeanne Antoinette nonetheless fulfilled this prophecy by becoming Madame de Pompadour, the most famous and influential mistress of Louis XV. In this sumptuous biography, Evelyne Lever traces the enduring friendship between the monarch and his favorite, and the far-reaching implications-both personal and political-of their relationship. Pompadour was devoted to Louis XV, and her contribution to the culture of the age was significant: she was an outstanding singer and actress, entertaining the King and the court in impressive stage productions, and was a longtime patron of the visual arts. She commissioned paintings by Boucher, Nattier, Van Loo, La Tour, and Pigalle, and she formed friendships with many of the philosophers and writers of the period, including Fontenelle, Crebillon, and Voltaire. In effect, she was France's minister of culture at a time when no such position existed. But she was loathed for her role in France's disastrous military losses, and was the victim of persistent court gossip and intrigues. This vibrant biography sheds new light on the talented and resilient woman who influenced, for better and worse, the fate of a nation.

With this brilliantly innovative book, Stéphane Audoin-Rouzeau and Annette Becker have shown that the Great War was the matrix on which all subsequent disasters of the twentieth century were formed. Three elements of the conflict, all too often neglected or denied, are identified as those that must be grasped if we are to understand the war: First, what inspired its unprecedented physical brutality, and what were the effects of tolerating such violence? Second, how did citizens of the belligerent states come to be driven by vehement nationalistic and racist impulses? Third, how did the tens of millions bereaved by the war come to terms with the agonizing pain? With its strikingly original interpretative strength and its wealth of compelling documentary evidence drawn from all sides in the conflict, 14-18: Understanding the Great War has quickly established itself as a classic in the history of modern warfare.

Now in paperback, Wiesel's newest novel "reminds us, with force, that his writing is alive and strong. The master has once again found a startling freshness."--"Le Monde des Livres"
A European expatriate living in New York, Doriel suffers from a profound sense of desperation and loss. His mother, a member of the Resistance, survived World War II only to die soon after in France in an accident, together with his father. Doriel was a hidden child during the war, and his knowledge of the Holocaust is largely limited to what he finds in movies, newsreels, and books. Doriel's parents and their secrets haunt him, leaving him filled with longing but unable to experience the most basic joys in life. He plunges into an intense study of Judaism, but instead of finding solace, he comes to believe that he is possessed by a dybbuk.
Surrounded by ghosts, spurred on by demons, Doriel finally turns to Dr. Therese Goldschmidt, a psychoanalyst who finds herself particularly intrigued by her patient. The two enter into an uneasy relationship based on exchange: of dreams, histories, and secrets. And despite Doriel's initial resistance, Dr. Goldschmidt helps bring him to a crossroads--and to a shocking denouement.
"In its own high-stepping yet paradoxically heart-wracking way, [Wiesel's novel] can most assuredly be considered beautiful (almost beyond belief)."--"The Philadelphia Inquirer "